stacking klon and timmy
Thank you for your request. Headroom, with each new pedal, will likely decrease. Your purchases also help protect forests, including trees traditionally used to make instruments. . I typically break that rule every time I combine tremolo and reverb. Germany, The list of variables goes on and on. So, Big Muff into a Tube Screamer. IMHO the timmy sounds like a good pedal (not what Im looking for in a boosting/od effect) the KLON sounds like its part of your amp.. paul cochrane makes some nice gear man- had the tim (which is just a timmy with an effects loop).. the KoT gets alot farther that the tim got me in all aspects.. the klon is not worth the 6-7 they are going for on ebay but they are worth the 344 that bill sells them for!! It has a lot of good reverbs: big and ambient or spring. Now, this one is really cool, and in some cases, it's a non-negotiable. Suzuki f8b specs. Sts 114 team award criteria. Your email, has been entered to win this giveaway. That said, it's a great, versatile pedal. One of the pedals it is known to play very nicely with is the original Marshall Blues Breaker, which was Marshall's attempt at cramming the distinctive tone of their amplifiers into a stompbox. It is a very nice boost which you can then dial in the amount of grit you want. It's super glitchy and really fun. https://www.thegearpage.net/board/index.php?threads/1434114&highlight=klone+timmy. If you want to see the reason this is cool, turn the drive knob up. For more information, please see our / , , . I actually tried my OCD with a Voodoo Lab Sparkle Drive Mod, which has 4 gain stages and is more versatile. Obviously, there are endless ways to stack guitar pedals. I picked these pedals because they are widely known and commonly available, but just about any blend of analog (or simulated analog) and digital delay will do the trick. Two of them employ NOS through-hole germanium diodes, while the other three substitute modern silicon ones. To give yourself a different set of sounds, start with a pedal that has the tonal characteristics of a specific amp, ideally one that is different from your amp. I get asked about it a bunch but I plead the fifth. Designed in collaboration with Joey Landreth, the Golden Boy is an end-all BB-style pedal. Three-band EQ, cycle-able gain stages, four clipping diode voicings, internal presence and tone controls, and a footswitchable MOSFET boost make this the most versatile Blues Breaker on the market. Exclusive deals, delivered straight to your inbox. On any pedal board I have, I set this pedal to a light breakup and never turn it off; I keep it as a stage one overdrive, almost a natural part of my amps sound. It's also an inspiring creative exercise. This way: Katana>TS>Timmy>Klon if you want to use the Timmy as clean boost and the Katana as a way to get more gain/compression out of the TS and Timmy. Doesn't quite answer your question but I have an OCD version 1.7 + 2.0. Oh okay, but if I leave the Klon on all the time after the OD, I won't have any pedal to give me a pure volume boost? The Blucoil 9V 670mA Power Supply is ready to rock with your favorite BOSS, Dunlop, Line 6, LR Baggs, MXR, Nobels, NUX, Orange Amps, Peterson, TC Electronic, Xotic, and Zoom effects pedals. im not attacking you at all man.. just telling you to call the builders and ask them whoever that was fed you some bull{censored}! Classic gear: Paul Cochrane Timmy | Guitar World So I crank the drive knob up to 75%, I put the treble/tone control at noon, and then I adjust the volume accordingly, and I have a beautiful second stage breakup that's rich and full of mids. Trade 1915 Vintage 22201 Amber Pumpkin Finish Orville Gibson Another really affordable pedal that people forget about is the Fulltone GT-500, which you could get today for $50 - $75. The possibilities are endless. Reversing this setup can also be cool, with the DD-3 first and the Carbon Copy set for longer repeats. When I tested this out at the studio, I used the Walrus ARP-87 and my Panther Cub. Is there any better bang for the buck in a new guitar than this. Of course, those who want this tone need not shell out the absurd amount of money necessary to procure an actual Klon Centaur, as there are tons of excellent and affordable "Klones" that will do the job very capably, including Electro-Harmonix's very tasty (and very economical) Soul Food. When I tap the tempo on one, both of them sync up, with quarter notes and dotted eighths. I like to use the ZVex Super Hard On and the EarthQuaker Arrows, but you could literally use any two boosts on the planet and this would work. Maybe a certain pedal simply does not play well with others. In total, about $450-$500 in upgrades between the pickups, pots, switch, and hardware. ", wrong its chinese clone of rat before or after chinese rat 2. Now what's particularly interesting is that in an amplifier like this, the tremolo is after the reverb. Pph 21 pegawai kontrak. Bring up the gain incrementally and toggle between on and off. It's really beautiful. That's what I'm sharing. Mimic, HSH to SSS and SSH (board little Mind). For a better experience, please enable JavaScript in your browser before proceeding. Terry B Humble student of the blues . I stack a TS9 and a CTO-1, obviously not exactly the same, but based on that I would recommend using the Timmy last as the more flexible tone controls will be more effective after the TS and may be needed to avoid muddy tones. There is a clear top-end chime and warmth in the midrange. This is a lower rent district than some gear forums. Klon Centaur; Horizon Precision Drive; Boss OD-1, SD-1; Analogman King Of Tone; Timmy Overdrive; Marshall Bluesbreaker MK1; The Kemper Drive recreates all of these sought-after overdrive tones, and at the same time, goes far beyond . Read reviews and forum scuttlebutt. Luxe bidet neo 120. In terms of economy and sheer possibility, one of the most exciting aspects of drive pedals is their ability to be stacked. Some good alternatives to a Morning Glory, which is a Bluesbreaker-style circuit, would be something like Paul Cochran's Timmy and the Xotic RC Booster, which are both great transparent pedals that don't color your sound. A whammy works well for this, too, if you want to use it. Your purchases help youth music programs get the gear they need to make music. Super reasonable pricing. I like to use a White Elk by Wren and Cuff, which is a really cool version of a weird Big Muff clone that existed back in the day. : () . Item location: Tacoma, Washington, United States. Electro-Harmonix Big Muff Pi + Colorsound Power Boost I use my OCD as my main gain sound, and kick on another OD or fuzz as a boost. Also, get a Klon and try it as a heavy overdrive. If you want to see the reason this is cool, turn the drive knob up. They boost other effects and add a nice thing to the pick attack and note bloom when they are first. I haven't had much luck with Klones and stacking with other dirt pedals. A boost will also typically color the tone less than an overdrive, IME. Gives me 80s NWOBHM tones all day, Strymon OB1 (compressor includes clean boost as a 2nd footswitch) -> MXR Distortion III -> Blues Driver. And before you ask, no, were not defeating the Huns. The classic bolt-on design of the Stella DW features an HSS configuration with Alnico humbucker and single coil pickups for a shimmering, articulate tone. It's wide and tall. The trick, though, is to make it work well. A few of these even fall into the category of "legendary tones," having appeared on many famous records in the classic rock canon. Click off the Tonebender and turn on a Fuzz Face and voil! Some pedals are great at specific jobs. Klon Centaur; Horizon Precision Drive; Boss OD-1, SD-1; Analogman King Of Tone; Timmy Overdrive; Marshall Bluesbreaker MK1; The Kemper Drive recreates all of these sought-after overdrive tones, and at the same time, goes far beyond . Running dirt pedals into a dirty amp is very different than running the same pedals into a clean amp. 6. This is a tone combo that almost every guitarist recognizes as the magic blend used by Pink Floyd's David Gilmour, most notably on the Dark Side of the Moon and Animals tours, and likely in the studio as well, during the recording of his first solo outing. A Sweetwater Sales Engineer will get back to you shortly. The original Klon employed traditional through-hole parts. One of the nice things about stacking delays is that it involves less trial-and-error than dirt stacking experiments typically do, because most delay pedals will play together nicely without much prompting. If you have any questions about drive stacking or pedals, give your Sweetwater Sales Engineer a call at (800) 222-4700. The Timmy has a more versatile EQ section, but sonically they have very similar signatures. Everyone gets a Klon because it's mystical and hard to get, and they use it as a clean boost, which I don't understand. Learn More. The Friedman BE-OD overdrive pedal puts the intense tone of their BE100 amplifier onto your pedalboard. Even in the simplest rigs, there are a lot of considerations. Besides the obvious bump in volume, many boost pedals like the ZVex Super Hard-On round out dull tones by adding a sparkling sheen to the top end. Route 66. The Gear Page is the leading online community and marketplace for guitars, amps, pedals, effects and associated gear. Four very distinct tones made from a fairly modest array of pedals and thats without adjusting the knobs or switching amps. Turn your old gear into new gear with the Sweetwater Gear Exchange! Does the low end shift noticeably? Whatever youre looking to experiment with, you can find that delay effect on here. How do you like it? You have all kinds of builders doing that nowadays. Just be sure if you're using a multi-effect delay or reverb that it does let you stack multiple delays. Based on your location, we've changed your settings: Shipping Region: Ive been feeling like the cm2 for a few months now. It sounds like Martian food. I just got through messing around running a Soul Food into an OCD V2. though it probably wouldnt pair with my guitar and amp very well according to the research Ive done. From the tweakiest techniques to the biggest ideas, our experts work hard to constantly supply inSync with a steady stream of helpful, in-depth demos, reviews, how-tos, news, and interviews. One option is to set them up to be multiple gain stages. Basically, I hit a note and then it bounces back slowly. Guitar volume knob cleanup varies from pedal to pedal, and some pedals coax your mind and fingers to work in different ways than others. And I think a lot of you guys would like it. You don't need any more distortion. Are you using the Klon (Hi Gain / Hi Volume) to overdrive the Timmy (Gain wherever / Volume as Master) or using the Timmy (Low Gain / High Volume) to increase the volume of the Klon (Gain wherever / Low Volume)? Kemper Profiling Amp PowerHead in Black With Remote Footswitch Your purchases also help protect forests, including trees traditionally used to make instruments. Depending on your pedals and settings, your experiments may have met with mixed results, but the basic idea is solid; use one gain pedal to boost or color the sound of another. some people like to stack them though. Pedals/Effects Anyone use a Nobels ODR-1? - Blues Guitar Unleashed Now, here's the trick. Try adding gain with only one pedal at a time and dont be afraid to defy conventional arrangements by switching your pedal order around. By clicking Subscribe, I agree to receive exclusive offers & promotions, news & reviews, and personalized tips for buying and selling on Reverb. Is there a decent budget pedal that would push the Tumnus over the edge for solos and be heavy/crunchy and not lose mids on its own as needed? Stacking "Klone" - Telecaster Guitar Forum To be heard. If you go too far, you can make your tone muddy. But if you do it in a faint way, it's really, really special. NEW Tagima Stella DW- Black Fade - musical instruments - by dealer Designing a pedal had been on the docket for Dr. Z Amplification for a long time, but the idea only came to fruition when Dr. Z joined forces with EarthQuaker Devices'Jamie Stillman to build the Dr. Z Z-Drive. Hi thanks for your replies. You don't want to get all crazy and wash it out. Between the Klon, Timmy & TS you should find all the boost you need. Molecular geometry shapes and . Original Blues Breakers, while not super expensive, still hover in the 250-dollar range (a bit much if you ask me). So, the Big Muff doesn't have any mid frequency peak at all. Private Music Rehearsal Studio for Sale in Los Angeles, CA - OfferUp Jul 13, 2017. If you are stacking a given pedal often, you might find that you need to find a new setting that works well both in tandem and standalone. I also use an Xotic EP boost for stacking. well theres ONE of you saying that they are 'tonaly' the same and about 5 of us saying that they are made to do somewhat similar things but they are not compairable in anyway. Lol. Trust me. 6,400 B () LTD. SNAKEBYTE SE Baritone (See Thru Purple Sunburst) 42,000 B () unknown. Browne Amplification Carbon $219+ | Click title for video. YouTube and various guitar forums can be helpful when embarking on a stacking adventure, but the only sure fire way to determine if two pedals are going to play well in your rig is by hooking them up on your pedalboard, stomping on switches, turning some knobs, and listening. Stacking a TS808 with an OCDv2 and Ryra the Klone Designed to replicate the characteristics of a specific amp. ZVex actually has to have this in one case for this reason. Guys like the Edge and U2 have done stuff like this for years. I was shooting for two pedals on a piece of 3/4 ply. I mostly use the amps in church, at home I'm using an Ac4tv. Quick question about switching tube amps on/off. Light Gain Overdrive + Medium Gain Overdrive = Heavy Overdrive. OD pedal to pair with Timmy | Z-Talk - ProBoards And when you stack them, the fuzz suddenly peeks its head out from that crazy mix. Start low, and then add gain listen to how the EQ and the compression shifts. There is no formula. The Timmy has the gain at about just under 10 0 clock - just enough to add some warmth, a touch of grit when I strum real hard. they will both say they are original designs and had different starting points. You have this repeat falling with the rhythm of how you're playing, and then you add a modulated reverb. So the VLSDM stayed on my "light" board. Seriously though, I do it all the time. Based on the Klon Centaur, somewhere between Transparent and TS-style. Here are a handful of perfect pedal pairs for creative tone stacking. World Famous Touring Guitarist and Jimi Hendrix Expert RANDY HANSEN will be giving lessons at Canyon Guitars in Lakewood. It kind of has a scoop and a lot of people complain, Dude, I turned my Big Muff on, but we're in a band setting and I disappear out of the mix. Which 100% makes sense, honestly, because mids are super important to make you stand out in that mix. The Tumnus will be perfect for most of the songs I play with its clearer low dirt sound, but I will need slightly more distortion for a few heavier songs my band plays and also I would like the extra push for my solos to cut through. Tim Pierce Premier Guitar Rig Rundown. Use a lot of subs, like 75% sub octave and a little bit of high octave, which helps replicate the OT-10 setting. For example, if your fuzz pedal sounds best to you with the gain set high, treat it like a heavier-gain pedal. This thread may have run its course, but IMHO, the two sounded more dis-similar than similar. Youll definitely have fun, and you might even find your new favorite sound. They know right from wrong!. How are you running the two pedals gain wise? That's what you need to try. Guitar Lessons with RANDY HANSEN!!! - musical instruments - by If you have this setup, try it. The last pedal in the stack has the biggest influence on the overall tone. Knowing what that curve is will help you know how and where to stack a pedal. Fuzz + Tube Screamer = Fuzz That Cuts Through The Mix. Next up, take two boost pedals-- doesn't matter what they are --and combine them. ^ what he said. The secret to stacking pedals successfully is to learn what each pedal will bring to the mix and to find ways to help the pedals complement each other. I run my KTR actually somewhat high - 2 o clock to 3 o clock or so. Here are a handful of perfect pedal pairs for creative tone stacking. The tone stack on the Timmy is excellent. This website uses cookies to improve your experience. In that case, I switch over to the KTR Overdrive instead. I think this is going to help you be heard. The BOSS RV-5 is a really, really great option here; it's on so many albums and so many great players still use this. As you can see, just a few pedals can cover a ton of ground. Mimic, HSH to SSS and SSH (board little Mind). Turn the pedal on and play the same chord. Amazon.com: Blucoil 9V 670mA Power Supply with Slim US Plug AC Adapter MXR Timmy - street price $/129 If the waitlist and the enclosure size have been putting you off pulling the trigger on a Timmy, MXR has the answer, with this downsized take on the classic formula, approved by Paul himself. It does not nail the klon nor is it suppose to. im not challenging you to do anything man.. simply said- call paul and bill ask them what their circuits are based on. I use a TC Electronic Spark clean boost as the first pedal into my ODs. 1995-2022 Harmony Central, Inc. All rights reserved. Au contraire, Mon ami, for the world of delay stacking is a many-splendored sonic playground which should not be left unexplored. These dynamic duos make an excellent place to start stacking, as they are generally a foolproof method of getting great tones right off the bat, and they can provide an excellent foundation for future tone experiments. My current set up is a fender player series strat (MIM) into a 65 deluxe reverb reissue. You can turn off the overdrive and turn on your Marshall-in-a-box for instant Mick Ronson. While painfully incomplete, hopefully it will give you some info for practical application and serve as a jumping-off point. JavaScript is disabled. Take an octave pedal, like the Electro Harmonix Micro POG, the OT-10 Octave by Ibanez, or the BOSS OC2. (Adjust tone to taste.) Being music makers ourselves, we love geeking out on all things gear. **Dont knock it till you try it. Price to sell look it up Reverb this one is really in mint condition kill switch and all. There are a number of interesting ways to set these delays up to complement each other, but the most common method is probably to set the Carbon Copy for a shorter slapback sound, while setting the DD-3 for a longer delay time and extended repeats. Your fingers, your speaker(s), your power supply, your tubes, your cables every piece of your gear, put together, makes up a system and every part of the equation matters. I run my KTR actually somewhat high - 2 o clock to 3 o clock or so. Also, personal experience and popular opinion both suggest that putting the Screamer first is the best way to stack these two pedals, but that should not discourage you from trying it the other way as well. Scan this QR code to download the app now. Maybe you will. To reflect our commitment, we updated our terms and conditions. Some pedals are great at specific jobs. You are using an out of date browser. While the concept is simple, the details make all the difference. Basically, you take two delay pedals and you sync them together. But, that's just me.. "more sense in general" and guitar forums is an oxymoron, It might make sense to have the Klon closer to the guitar to take advantage of its buffer. A Beginner's Guide to Stacking Drive Pedals | Reverb News For instance, lets say that youre playing with a clean amp and have a pedalboard whose dirt section includes a Tonebender fuzz, a Fuzz Face, a Supro-like overdrive like a Bearfoot Honey Beest or a Greer Ghetto Stomp, and a Marshall-in-a-box distortion like the ZVex Box of Rock. It is a little dark, especially with humbuckers, so I use the tim to take away a bit of bass sometimes, and it helps the pedal cut through better. I really like my TS into my OCD. For example, a blackface 65 Fender Princeton already has the reverb and tremolo effects built in. Two different drive flavors in one enclosure. Ask a Luthier: What Do You Wish More Guitarists Knew About Their Instruments? The DOD boost is used by itself for a clean solo sound. How are you using them? If you haven't tried this combo, you might logically assume that, because both the Screamer and the RAT are known for having prominent mid-range characteristics, the end result of stacking them would be a nasty, mid-honk mess. Definitely try that in your rig. They're made for each other, like peanut butter and jelly, or grilled cheese and strawberry jam**. The best part is that when I play these pedals together, they're going to be syncopated. Some pedals sound better turned up or driving your amp harder. The TIM I had could get some of the sounds A/B'd direclty with a klon and vice versa (gritty boost, fat clean boost) BUT they are different in too many aspects to really be comparable. Then stack that pedal with another gain flavor, and you have two distinct amp tones that can both be overdriven. OD pedal to pair with Timmy. Strat Talk is the leading online community and marketplace for Stratocaster guitars. TC Electronic Spark Booster (has Gain option). Best Electric Guitar Pedals | Spring 2023, Celebrating Earth Day: Sweetwater's Commitment to Sustainability & Social Responsibility, Shop the Rig!
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